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Art, Medieval --- Art médiéval --- Periodicals --- Périodiques --- Kunst. --- Art, Medieval. --- Art médiéval --- Périodiques --- DOAJ-E EPUB-ALPHA-Z EPUB-PER-FT --- Medieval art --- medieval art
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This book articulates a new approach to medieval aesthetic values, emphasizing the sensory and emotional basis of all medieval arts, their love of play and fine craftsmanship, of puzzles, and of strong contrasts. Written for a general educated audience as well as students and scholars in the field, it offers an understanding of medieval literature and art that is rooted in the perceptions and feelings of ordinary life, made up of play and laughter as well as serious work. Medievalstylistic values of variety, sweetness, good taste, and ordinary beauty are grounded in classical and medieval biol
Aesthetics, Medieval --- Esthétique médiévale --- Esthétique médiévale. --- Thèmes, motifs. --- Esthétique médiévale --- Aesthetics --- anno 500-1499 --- Art, Medieval --- Esthétique --- Art médiéval --- Aesthetics. --- History --- Themes, motives. --- Histoire. --- To 1500. --- Art médiéval --- Thèmes, motifs --- Aesthetics, Medieval. --- Medieval aesthetics
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Art, Medieval --- Christian art and symbolism --- Rites and ceremonies, Medieval --- Medieval rites and ceremonies --- Civilization, Medieval --- Medieval art --- Europe. --- History. --- Art médiéval --- Art et symbolisme chrétiens --- Rites et cérémonies médiévaux --- History --- Histoire
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Art in England fills a void in the scholarship of both English and medieval art by offering the first single volume overview of artistic movements in Medieval and Early Renaissance England. Grounded in history and using the chronology of the reign of monarchs as a structure, it is contextual and comprehensive, revealing unobserved threads of continuity, patterns of intention and unique qualities that run through English art of the medieval millennium. By placing the English movement in a European context, this book brings to light many ingenious innovations that focused studies tend not to recognize and offers a fresh look at the movement as a whole. The media studied include architecture and related sculpture, both ecclesiastical and secular; tomb monuments; murals, panel paintings, altarpieces, and portraits; manuscript illuminations; textiles; and art by English artists and by foreign artists commissioned by English patrons
illuminated manuscripts --- Gothic [Medieval] --- propaganda --- sculpture [visual work] --- British Isles Medieval styles --- architecture [object genre] --- Art --- easel paintings [paintings by form] --- anno 1200-1499 --- anno 700-799 --- anno 600-699 --- anno 800-1199 --- anno 1500-1599 --- Great Britain --- Art, Medieval --- Art, Renaissance --- Art médiéval --- Art de la Renaissance --- sculpture [visual works] --- Art médiéval --- Renaissance art --- Medieval art
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Ce volume réunit les 31 contributions des Actes du colloque du CUER MA (2004). Étudier la digression dans la littérature médiévale constituait une sorte de défi. Il ne s'agissait ni de condamner ces excursus ni d'en faire l'éloge. Qui, de l'auteur ou du lecteur, est le plus apte à borner l'espace digressif et à l'apprécier ? Dans les précautions que les auteurs prennent à commenter ou à justifier leur écart, se prononcent les fonctions différentes, mais non exclusives l'une de l'autre, qu'il est censé remplir. La digression se présente comme utile ; qu'elle cherche à amuser, à séduire, à conseiller, à renseigner, à engager à l'action, ou à faire participer le lecteur à l'acte d'écriture, elle relève toujours d'une stratégie. Du XIIe au XVe siècle, son emploi témoigne d'une volonté sommative, avouée, voire revendiquée, dans les encyclopédies, les traités didactiques, les récits de voyages, les chroniques, plus masquée dans les œuvres de fiction, où son usage permet paradoxalement à nombre d'auteurs de renforcer la cohésion d'une matière narrative sujette aux égarements du plaisir de raconter. Lecteurs en quête de sens, nous montrons comme nous sommes portés à découvrir sous l'abondance des mots et le déplacement des points de vue un ordre de la pensée. Quant à l'usage médiéval de la digression, il témoigne d'une littérature qui cherche à définir sa fonction dans la société, son utilité, son pouvoir, qui laisse voir comment elle s'enracine dans une tradition qu'elle ne cesse de renouveler. (www.fabula.org)
Old French literature --- Thematology --- Aesthetics of art --- Digression (Rhetoric) --- Literature, Medieval --- Art, Medieval --- Digression (Rhétorique) --- Littérature médiévale --- Art médiéval --- Fiction --- French literature --- Technique. --- History and criticism. --- Languages & Literatures --- Literature - General --- Digression (Rhétorique) --- Littérature médiévale --- Art médiéval --- Mediaeval literature and art --- Criticism --- Fiction - Technique. --- French literature - To 1500 - History and criticism. --- littérature médiévale --- digression --- excursus
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Art, Medieval --- Art, Irish --- Sculpture, Medieval --- Art médiéval --- Art irlandais --- Sculpture médiévale --- Art medieval --- Histoire --- Peter Harbison; trad. de l'anglais par Divina Cabo --- Ierland --- kunst --- architectuur --- schilderkunst --- beeldhouwkunst --- miniaturen --- edelsmeedkunst --- middeleeuwen --- 7.033 --- Art médiéval --- Sculpture médiévale --- Art [Medieval ] --- Ireland --- Art medieval - Irlande --- Art medieval - Irlande du Nord --- Art irlandais - Histoire
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Die Erinnerung an das Reich der mittelalterlichen Könige und Kaiser nahm in der nationalsozialistischen Geschichts- und Kulturpolitik eine herausragende Stellung ein. Das Reich Karls des Großen und die Jahrhunderte der "deutschen Kaiserzeit", die Zeit der Ottonen, Salier und Staufer, galten als erste Phase "deutscher Größe" und als Vorwegnahme und historische Rechtfertigung des von den Nationalsozialisten angestrebten "großgermanischen Reiches". Von dieser völkisch-nationalistischen Deutung des Mittelalters, deren Wurzeln bis ins 19. Jahrhundert zurückreichen, blieb auch die Sicht auf die mittelalterliche Kunst nicht unbeeinflusst. Im Mittelalter wurde der Anfang "deutscher Kunst" gesucht, in der mittelalterlichen Kunst sah man einen frühen Ausdruck des deutschen Nationalcharakters, und entsprechend konnte sie sowohl als Vorbild für eine neu zu schaffende, nationale und "volksverbundene" Kunst in Anspruch genommen als auch gegen die "Entartungen" der modernen Kunst ins Feld geführt werden. Im Zentrum der Publikation steht die Praxis der Mittelalter-Kunstgeschichte im Nationalsozialismus, ihre Vorgeschichte und unmittelbare Folge. Es geht um eine Analyse der Gegenstände, Begriffe, Methoden und Deutungsmuster, mit denen mediävistische Kunstgeschichte im Nationalsozialismus operierte. Ein zweiter Themenschwerpunkt liegt auf der Popularisierung des Mittelalterbildes in Schrifttum, Film und Veranstaltungen.
National socialism and intellectuals. --- National socialism and science. --- National socialism and art --- Art, Medieval --- Middle Ages in popular culture --- Political Science --- Visual Arts --- Art, Architecture & Applied Arts --- Law, Politics & Government --- Socialism, Communism & Anarchism --- Visual Arts - General --- Socialism and art. --- Art, Medieval. --- Nazisme et art --- Art médiéval --- Moyen Age dans la culture populaire --- Congresses --- Congrès --- Medieval art --- Art and socialism --- Art
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Gesta presents original research on developments in the study of art and life of the Middle Ages. The journal embraces all facets of artistic production from ca. 300 to ca. 1500 C.E., in Europe, the Mediterranean region, and the Slavic world. The journal has twice been awarded the annual Van Courtlandt Elliott Prize of the Medieval Academy of America for a “first article in medieval studies judged…to be of outstanding quality.”
Art, Romanesque --- Architecture, Romanesque --- Architecture romane. --- Art médiéval. --- Art roman. --- JEX16 --- Romanesque architecture --- Romanesque art --- Architecture, Medieval --- Art, Medieval --- Christian art and symbolism --- Architecture, Romanesque. --- Art, Romanesque. --- Medieval --- Art --- Art medieval --- Arquitectura medieval --- Història --- Edat mitjana --- Arqueologia medieval --- Civilització medieval --- Art visual --- Arts visuals --- Belles arts --- Iconografia --- Civilització --- Estètica
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Covers the topics, symbols, themes, and stories most frequently found in early Christian, western medieval, and Byzantine art.
Art, Medieval --- Christian art and symbolism --- Art médiéval --- Art et symbolisme chrétiens --- Dictionaries --- Dictionnaires anglais --- Dictionaries. --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament --- Medieval art --- Art, Byzantine
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"Explores Theophilus' On Diverse Arts, a twelfth-century treatise on artistic techniques. Examines the system of values according to which medieval artists operated and created art objects"--Provided by publisher
Art --- Art, Medieval. --- Medieval art --- Art, Occidental --- Art, Primitive --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Technique --- Theophilus, --- Art. --- Künstlerische Technik. --- Traktat. --- Early works to 1800. --- Technique. --- De diversis artibus (Theophilus, Presbyter). --- Art médiéval. --- Théophile (10..-11.. ; moine).
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